20 BOOK ART CRAFT MILESTONES
1949. Lloyd Reynolds begins to teach calligraphy at Reed College in Portland, Oregon. Over 35 years his efforts spark a revival in the lettering arts, whose influence extends from italic handwriting taught in elementary schools to typographers designing digital fonts used in Macintosh computers.
1969. Visual Studies Workshop founded. The VSW Press is the first of several artist-run offset presses that powers the rise of the multiple bookwork.
1971. Kathryn and Howard Clark establish Twinrocker, Inc. Papermill. Six years later Claire Van Vliet develops paper pulp painting there as a visiting artist, seen first in her book, Aura.
1973. Printer and papermaker Walter Hamady publishes his first Interminable Gabberjabbs, a series of books whose content, format and materials tweak book conventions while showcasing exceptional craft.
1974. Richard Minsky founds the Center for Book Arts, in New York City.
1974. Keith Smith publishes Structure of the Visual Book, the first of his books that picture, instruct and interpret non-traditional bookmaking.
1975. Fine Print journal published until 1990, the first journal (of several) to explore craft issues in the book arts.
1976. Dieu Donné Papermill is started up in New York City for the preservation of hand papermaking in contemporary art.
1979. Book conservator Hedi Kyle creates April Diary, inventing the simple yet elegant flag book structure used by countless book artists.
1982. Columbia University’s School of Library Science sponsors the Fine Printing Conference with exhibition and book fair. Thirty-two printers attend, and Columbia later publishes the proceedings.
1983. Paper and Book Intensive founded, a yearly “working sabbatical” for established and emerging artists and others in the book arts.
1986-1988. The National Collegiate Book Arts Exhibition, organized by Richard Zauft and the University of South Dakota, travels to nine sites across the U.S. to highlight the growing options for study at the college level.
1983. Papermaker and scholar Timothy Barrett publishes Japanese Papermaking: Traditions, Tools, and Techniques, based on his travels and research in Japan, and later leads efforts to produce conservation-sound papers while teaching at the University of Iowa.
1985. The University of Alabama-Tuscaloosa launches its M.F.A. in the Book Arts Program through the School of Library and Information Studies, which remains the U.S. program most closely identified with a high level of craft.
1986. Hand Papermaking journal founded.
1987. Printer Harry Duncan’s writings published in Doors of Perception: Essays in Book Typography, giving voice to a new generation of letterpress printers.
1994. Peter Verheyen starts the Book_Arts-L listserv, and in that moment the book arts community goes global.
1998. Gerald Lange's Digital Printing on the Cylinder Hand Press explores the expressive possibilities of polymer plate-making conjoined with desktop publishing and improved font software for letterpress printers.
2007. CODEX Foundation founded to preserve and promote the art and craft of the book through a biennial symposium and a book fair strong in international participation.
2008. College Book Art Association established to support and promote academic book arts education with a biennial conference and (as of 2011) an online journal.